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At some point, Booster peeled off and went to the bathroom. For dinner, they made junk carbonara from pantry leftovers. They took a walk back home that lasted for what felt like an eternity (ten minutes), during which they listened to Lorde and SOPHIE and split open the most delicious pineapple in the world. Earlier, they had gone to the beach, where the sand oozed between their toes and time lost its militant edge.
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It’s 2018, and he is tripping balls from the LSD Oreos he took with his housemates on their last full day on Fire Island. Joel Kim Booster is looking at his penis. Midnight Cowboy is a 1969 American buddy drama film, based on the 1965 novel of the same name by James Leo Herlihy.Photo: Daniel Jack Lyons. The film was written by Waldo Salt, directed by John Schlesinger, and stars Dustin Hoffman and Jon Voight, with notable smaller roles being filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, Jennifer Salt, and Barnard Hughes. Set in New York City, Midnight Cowboy depicts the unlikely friendship between two hustlers: naïve sex worker Joe Buck (Voight), and ailing con man Enrico "Ratso" Rizzo (Hoffman).Īt the 42nd Academy Awards, the film won three awards: Best Picture, Best Director and Best Adapted Screenplay. Midnight Cowboy is the only X-rated film ever to win Best Picture. It has since been placed 36th on the American Film Institute's list of the 100 greatest American films of all time, and 43rd on its 2007 updated version.
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In 1994, Midnight Cowboy was deemed "culturally, historically or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry. Joe Buck, a young Texan working as a dishwasher, quits his job and heads to New York City to become a male prostitute. Initially unsuccessful, he manages to bed a middle-aged woman, Cass, in her posh Park Avenue apartment. The encounter ends badly as he gives her money after she is insulted when he requests payment and it is loosely implied that she is a high class prostitute herself. Joe meets Enrico Salvatore "Ratso" Rizzo, a con man with a limp who takes $20 from him for ostensibly introducing him to a pimp. After discovering that the man is actually an unhinged religious fanatic, Joe flees in pursuit of Ratso but cannot find him. Joe spends his days wandering the city and sitting in his hotel room. Soon broke, he is locked out of his hotel room and his belongings are impounded.
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Joe tries to make money by receiving oral sex from a young man in a movie theater, but learns after the act that the young man has no money. #GAY BLOWJOB SCENE IN A REAL MOVIE MOVIE# Joe threatens him and asks for his watch, but eventually lets him go unharmed. The next day, Joe spots Ratso and angrily shakes him down. Ratso offers to share the apartment in a condemned building where he is squatting. Joe reluctantly accepts his offer, and they begin a "business relationship" as hustlers. In a flashback, Joe's grandmother raises him after his mother abandons him.Īs they develop a bond, Ratso's health grows steadily worse.
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He also has a tragic relationship with Annie. The film has successive flashbacks to an experience in which he and Annie were jumped while naked in a parked car and raped by a gang of cowboys. The rape affects Annie's mental stability to the point that she becomes insane and is driven away in the back of what appears to be a van taking her to a psychiatric institution. The viewer gains more information about the experience as the flashbacks accumulate. Ratso tells Joe his father was an illiterate Italian immigrant shoeshiner whose job led to a bad back and lung damage from long-term exposure to shoe polish. #GAY BLOWJOB SCENE IN A REAL MOVIE MOVIE#.